The usual order for an opening title sequence is:
Name of the studio that is
distributing the film.
Name of the production company responsible
for making the film.
A (Producer’s Name) Production.
A Film by (Director’s Name).
Starring (Main actors’ names).
Film title.
Featured cast members.
Casting by.
Music, composer, or original
score.
Production designer.
Editor or Edited by.
Producer, produced by, and
executive producers.
Writer or written by.
Director or Directed by.
The opening titles for "25th Hour" are very continuous in the way they look. They are all the same font, possibly to connote to continuity within the story of the film. The camera moves away from the blue light throughout the credits, creating an establishing shot of the city but also making the audience wonder what it is. It creates the feeling of moving away from something, also connoting to the story within the film. The contrast of the white of the font with the primarily blue scene makes it stand out to the audience. The thinner and condensed font makes it look neat and together, but also is small enough to not take away from the scene. The line under '25th' is reflecting a date as well as the time. This gives the audience context into the film. The ominous nature of the title makes it seem appropriate for an older audience. The way that the titles are avoiding the light is interesting as it makes it seem reminiscent of something and like a light at the end of the tunnel, reflecting the drama in the film.


The opening sequence of "Vertigo" is interesting as the font is very different to other thriller movies. The font, in white and capitals, reflects more of a sports team or something more action rather than thriller. The white against the redness of the background throughout the sequence makes it stand out to the audience. The way the eye spirals into more of the titles, creating a wave of patterns, shows the audience that it will be a psychological thriller and will play with their minds. The red also connotes to the idea of blood and death, showing that the film is for an older audience. The close ups of the facial features, specifically of the eyes, make it also seem psychological, like its focusing on the inside workings of the person, i.e. in the brain. The list of names against a more solid background is very classic for older films though now it has become of lesser use. In this film, there is no establishing shot sequence as with most films now, making it seem even more mysterious whilst watching, as you don't find much out about the story.
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