Wednesday, 23 November 2016

Initial Ideas Questionnaire

We created this questionnaire to decide on some of the features of our film. This is to ensure the film fits the target audience. We asked teenagers what they thought about some of the ideas and the results we got back are below. This will help us decide how to make the film and what will specifically draw in the target audience. 


As you can see from the image, we got people to vote on their favourite features of a horror film, such as the feeling of being followed, which got 90%  of the vote on that question. Another answer that got 90% of the vote was on the use of a female protagonist. We believe that this will subvert stereotypes of the genre; it will make our film unique yet still full of horror cliches to draw the audience in. 

Initial Ideas


Our initial idea is to use conventions of the horror genre to create a tense buildup for our opening two minutes. We will use the setting, of perhaps a wood or secluded house, and sounds, such as twigs snapping and bass drums, to create an on edge feeling for the audience. We will use a range of shot types to enhance the pace and detailing of the opening. However, we also want to subvert some classic gender stereotypes of the genre by including one of our male characters as a stereotypical gay friend, with the female as the more dominant and fearless character. 

'Ocean's Eleven' Analysis: Opening 2 Minutes


The scene begins with a single medium shot on the chair. This is continuous as he sits down and the camera doesn't move. This is effective as it makes the audience feel that they are actually there in the scene. The ambient sounds also enhance this feeling. In this scene, his clothing at the beginning show us a lot about the story as we know he is in prison for something. He reveals things about himself to set the story for the audience.

The camera then cuts to a close-up of him as the happier music begins to play. The close-up shows his face to be emotionless whereas the music connotes the feeling of joy after getting out of prison. The darkness inside the prison is contrasted by the bright sunshine and colour we see when he leaves. The music sound bridges over the cut to the over-shoulder shot as he is leaving in his suit with his ring. The suit and ring heavily contrast the bland jumpsuit he was wearing in the beginning. The suit and ring also make the audience question many things about the character such as "why was he wearing that when he got arrested?" and "what did he get arrested for?".

'Shutter Island' Analysis: Opening 2 Minutes and Trailer


In the opening of the film, we can hear music motifs of classic horror films, such as a high pitched note and drums or crashes. This is effective as it sets the mood for the film and shows the audience what genre it will be. 

We see an establishing shot of the boat coming through the clouds, which cuts to a panning up shot towards the character. This makes him seem like the main character as it is heavily focused on him, making the audience focus on him throughout the opening. The outfits and accents the two men use show the decade in which it is set, and helps the audience to relate to them. 

This cuts to point-of-view shots of the ocean and of himself in the mirror. This creates a sense of atmosphere for the audience as it helps them to step into his shoes. The close-up as he is talking about his past life, cuts to a view of his past life, helping the audience to imagine what he has gone through. This shot in his past-life is a lot brighter in colour than the real-time shot. This shows the contrast in emotion that has been caused by the loss of his love. This makes the audience feel sympathy towards the man. 



In the trailer for the film, the music of horror motifs creates tension and entices the audience to see what will happen. There is an establishing shot of the island, helping to set the scene for the audience. It looks quite peaceful, which contrasts the horror sound motifs. The trailer primarily focuses on DiCaprio's character, particularly with close-ups to show his emotion change throughout, making the audience feel as if he is the person they are supposed to trust and warm to. Their costumes change halfway through into the white outfits that the patients wear to the island. This confuses the audience and makes them want to find out why they have changed and what happened for them to get into that position. This encourages them to watch the whole film. It cuts to and from lots of different parts of the film, making the trailer fast paced, adding to the tension that the music is creating. The screaming in it also adds to this tension. There are fast-paced horror-style cuts also creating the illusion of fear and tension throughout. 

'The Hunger Games' Analysis: Opening 2 Minutes


During the beginning written sequence, there is a suspended background note creating a gentle atmosphere and making the audience feel empathetic towards the society. This sequence tells the audience about the history of the society and helps to set the scene. It helps to solidify the fact that it is in the future, which makes people enjoy it more, as it is fiction to them. This then cuts to a talk-show in which they are wearing fancy clothing and it all looks very expensive and well put together. This cuts to District 12, which is a heavy contrast to the show. The screaming makes the audience feel fear and intrigue as to why these two places are so different. There is an establishing shot of District 12 to show the audience how they live. 

The camera pans from Katniss to Prim, with close ups to show the fear that they feel about the specific day. We can see how calm Katniss is compared to Prim, showing us that she has done this before. This makes the audience feel sorry for the two that they live in such an awful society. The clothing the two girls are wearing, very plain and rag-like, heavily contrast to smart and fancy clothing they wear on the show. 

As Katniss leaves, there is a sound bridge of her talking over the cut between the close-up of Prim and the medium shot of her walking down the stairs. This emphasises the feelings and the connection between the two shots.

'Star Wars: Epsiode VI Return of the Jedi' Analysis: Opening 5 Minutes


In the beginning of the opening scene, you see the space ship go over as the camera stays where it is. This is effective as it shows the size of the ship and puts it into perspective for the audience. It acts as a long establishing shot to show us when and where the film is likely to have taken place (in space, and in the future). As the ship goes past, you can see the Death Star in the background. This is the start to all of the other films, with the Death Star slowly progressing in the background - helping to show that it is a part of a series and helping to show where they are in defeating the villain. The gentle, 'twinkly' string music at the beginning reflects the space setting and the feeling of the unknown. This makes the audience start to question what might happen and entices them to keep watching. 

It then cuts to over-shoulder shots of the soldiers as they are communicating to the Death Star. As they are doing this, it match cuts to different details and different actions throughout the conversation. This is smooth and is effective in showing the futuristic details of the ships. It isn't a noticeable cut either, making it more effective in keeping the audience enticed. The costumes, though looking like classic soldiers, and the technology at the time of the making of the film - especially as Vader walks in, help to secure the idea that it is in the future. This makes it more interesting to the audience as they can use their imaginations whilst watching it rather than living in it. It is fiction for them, making it more enjoyable.

As Vader walks in, the gentle music changes to a loud, domineering track associated with Vader himself. It is a villains march, showing us who we shouldn't warm to as a character. This music is also reflective of the atmosphere as they are all lined up like an army, and Vader is the leader. The camera follows him as he walks and then cuts to a shot reverse shot between him and the head soldier. It shows the monotony of Darth Vader in emotion and expression, but also the fear he reveals in others. This also makes us feel that e is a character, the audience is supposed to dislike.

Tuesday, 22 November 2016

'Forrest Gump' Analysis: Opening 2 Minutes


In the beginning of the clip, there is minimal sound as we watch the camera follow the feather. This creates a calming atmosphere and causes intrigue with the audience as to where the feather is going to land. The motion is very gentle as the camera pans around as the feather moves in the breeze. This feather could represent peace and gentleness as well as possibly connoting these traits about the main character. The motion makes the opening quite slow paced which shows the reflective nature of the film and possibly the introspective way in which it tells the story. 

As the camera pans around, we get views of the town. This establishes where the film will take place for the audience, though we don't get it in much detail. As the camera pans further towards the ground, the music gets louder, but still in a gentle manner. As the feather reaches the ground it gets a little faster paced with the movement of the town and of the cars around. The feather then falls to the ground in front of the muddy shoes. The shoes represent a childish nature about the person. The shoes and the suit are very mismatching and seem very out of place to each other. 

The camera then pans up to whom we can assume is the main character, as the feather landed with him and no one else on the journey down. This makes the audience warm to the man, as we watch him keep the feather as a token in his suitcase. The book he puts the feather into could also connote the childish nature of the character. This is effective as it creates a sense of sentimentality and empathy within the story. The feather is also a symbol that the audience will remember if it comes up later in the film.

Thursday, 10 November 2016

Institution Research

Warner Bros. Pictures 

The company was founded by four brothers - Harry, Albert, Sam and Jack Warner - in April 1923, though film productions can be traced back to 1918. The two eldest brothers opened their own theatre in 1903. In 1904, they founded Duquesne Amusement & Supply Company to distribute films. It wasn't until 1918 that they bought their first Warner Bros. studio on Sunset Boulevard in Hollywood. Sam and Jack produced the pictures, while Harry and Albert, along with their auditor and now controller Chase, handled finance and distribution in New York City. During World War One, their first national film, "My Four Years in Germany", based upon a popular book at the time, was released. On April 4th 1923, they incorporated the company. By 1924, the company was one of the biggest and most successful independent film studio in Hollywood, competing against the big studios at the time (Paramount, MGM and First National). The company was a pioneer with sound in film. They established the Viatphone which began, in 1926, making films with music and sound effects. In 1928, Warner Bros. released "Lights of New York", the first all-talking feature. Due to its success, the movie industry converted entirely to sound and by the end of 1929, all the major studios were making sound films. In 1929, the studios released "On with the Show" which was the first all-colour, all-talking film. This, along with the release of "Gold Diggers of Broadway", sparked a colour-film revolution. During the 40s and 50s, there was a lot of money lost due to failed attempts at things like 3D, but also a lot of gain at the signing of very important film stars of the period. By the mid-1960s, motion picture production was in decline and in 1966, the company was sold to Seven Arts Productions. Jack Warner remained on the board of the company until his death in 1978. In 2004, Warner Bros. became the first studio in history to gross more than $2 billion internationally in a single year and in 2009, they set studio and industry records, raking in $2.13 billion in domestic receipts and $4.01 billion worldwide. It is currently owned by the company Time Warner.

Paramount Pictures 

Paramount is the fifth oldest surviving film studio in the world and the second oldest surviving film studio in the United States. It is the last major film studio headquartered in the Hollywood district of LA. In 1912, Adolph Zukor, Daniel and Charles Frohman founded the Famous Players Film Company. By 1913, they had completed 5 films. Their success was halted when Jesse Lasky opened Lasky Feature Play Company in the same year. In 1914, both companies were releasing films through Paramount Pictures Corporation, a start-up company founded by W.W. Hodkinson. This was the first successful nation-wide distributor. In 1916, Hodkinson was bought out and the three companies merged together. It became the Famous Players-Lasky Corporation. By 1932, all the original founders had been removed by Zukor. In 1933 however, the company went into receivership and in 1935, the company went bankrupt. In 1936, a new president was seated and Zukor became chair of the board. It was at this time that it became Paramount Pictures, Inc. During the 1920s and 30s, the company made 60 to 70 films a year. The 20s emphasised stars and the 30s emphasised the talking films. When the government ruled out 'pre-booking' of films before they were made, in 1940, the company cut back on production from 71 to 19 films annually during the war years. In 1948, the studios were split. The production company went to Universal Paramount Theaters. In 1966, after years of money struggles, the company was sold and managed to regain prosperity. During the 70s, the company emerged into television and their chain of successes ran into the 80s and 90s. During the late 90s and early 2000s, the company won three Academy Awards for 'Best Picture'. These were for "Titanic", "Braveheart" and "Forrest Gump". Since then the company have continued to create films. In 2014, it became the only Hollywood studio to distribute it's works entirely digitally. After many changes of ownership, the company Viacom, has had majority shares in Paramount since February of 2016.

20th Century Fox 

The founders of Twentieth Century Picture (Joseph Schenck and Darryl Zanuck) fought for a merger with the then struggling Fox Film, under president Sidney Kent. William Fox, the founder of Fox Film, had lost control of the company in 1930 after an actor died in a plane crash and many others got dropped due to drug and alcohol abuse. The new company, 20th Century-Fox started trading in May of 1935. Schenk became chairman and CEO while Kent remained president and Zanuck became Vice President in Charge of Production. The new company created a specialist school with 18 month courses which could result in a sixth month contract with the company which could be renewed to up to 7 years. In 1942, Spyros Skouras succeeded Kent as president of the studio.  After the war, and with the advent of television, audiences slowly drifted away. Twentieth Century-Fox held on to its theaters until a court-mandated "divorce"; they were spun off as Fox National Theaters in 1953. That year, Twentieth Century-Fox took a gamble. The two film sensations of 1952 had been Cinerama, which required three projectors to fill a giant curved screen, and 'Natural Vision' 3D, which got its effect with the use of polarized glasses. Fox mortgaged its studio to buy rights to a French anamorphic projection system which gave a slight illusion of depth without glasses. In 1953, this was introduced as CinemaScope and was very successful. By the early 1960s the company in trouble as it had a lot of money problems. The main thing that solved these issues was the release of "The Sound of Music" in 1965. It became one of the biggest box-office hits and won 5 Academy Awards. With financial stability came new owners, when Fox was sold for more than $700 million in 1981 to investors Marc Rich and Marvin Davis. By 1985 Rich was a fugitive, and Davis bought out his interest in Fox for $116 million. Over the next 20 years, the network expanded to become extremely profitable for News Corp. Since 2000, the company has been the main international distributor of MGM and United Artists releases. In 2012, Rupert Murdoch announced that News Corp. would be split into two publishing and media-oriented companies - a new News Corporation and 21st Century Fox, which includes Fox Entertainment Group and 20th Century Fox. The highest grossing film ever, Avatar, was created by 20th Century Fox. 

Blumhouse Productions 

Blumhouse Productions is an American film and television production company, founded by Jason Blum in 2000. They produce low-budget horror movies, such as the "Paranormal Activity" and "Insidious" franchises. They began to get credit in 2009 with the release of Paranormal Activity. The film was made for $15,000 and grossed $193 million worldwide, after being released by Paramount Pictures. Another low budget film was Insidious which grossed $97 million on a budget of $1.5 million. The company was nominated for an Academy Award with the film "Whiplash" and has a 10 year first-look deal with Universal. 

Wednesday, 9 November 2016

Certificate Research

In order to protect children from unsuitable and even harmful content in films and videos and to give consumers information they might need about a particular film or video, the BBFC examines and age rates films and videos before they are released. They consider issues such as discrimination, drugs, horror, dangerous and easily imitable behaviour, language, nudity, sex, and violence when making decisions.

U Universal – Suitable for all

A U film should be suitable for audiences aged four years and above. It is usually alright though it can be hard to tell what some children will find unsettling or what some children might not enjoy.

Discriminatory language or behaviour is not accepted unless clearly disapproved of within the film.  References to drugs or drug use must be infrequent and not harmful or offensive, or have a clear educational purpose or anti-drug message. Potentially dangerous behaviour which may be copied must be clearly disapproved of. Emphasis of realistic or easily accessible weapons is never shown. Very mild bad language is used and not very often. Only very mild sexual behaviour (for example, kissing) and references to it is exhibited. Scary sequences should be brief and unlikely to cause anxiety or any issues to young children. The outcome should be reassuring. Mild violence may be acceptable if it is justified by context (for example in a comedy or animated film).

PG - Parental Guidance is advised

A PG film should not unsettle a child aged around eight or older. Unaccompanied children of any age may watch, but parents are advised to consider whether the content may upset younger, or more sensitive, children.

Discriminatory language or behaviour is also not accepted unless clearly disapproved of within the film, or in an educational or historical context.  Discrimination by a character created to identify with children will not be accepted. References to drugs or drug use must be cautious or carry an anti-drug message. There is no detail of potentially dangerous behaviour could be copied unless it is shown as wrong. There is never a glamorisation of realistic or easily accessible weapons such as knives. Only mild bad language will feature however, aggressive or a lot of bad language may result in a higher certificate. Sexual activity may be implied, but should be discreet and can include mild references and innuendo. Frightening situations where characters are in danger should not be prolonged or intense. There may be moderate violence, without detail, if justified by context (for example, history, comedy or fantasy).

12A/12 – Suitable for 12 years and over

Films classified 12A and video works classified 12 contain material that is not suitable for children aged under 12. No one younger than 12 may see a 12A film in a cinema unless accompanied by an adult and no one younger than 12 may rent or buy a 12 rated film or video.

Discriminatory language or behaviour must not be supported by the film. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned. Use of drugs must be infrequent and should not be glamorised. No promotion of potentially dangerous behaviour or any glamorisation of realistic or easily accessible weapons such as knives is allowed. Strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the film and any special contextual justification. Sexual activity may be briefly and discreetly portrayed. Moderate sex references are permitted, but frequent crude references are unacceptable. There may be moderate physical and psychological threat and horror sequences and although some scenes may be disturbing, the overall film should not be. There may be moderate violence but it should not go into detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and its depiction must be justified by context.

15 – Suitable only for 15 years and over

No one younger than 15 may see a 15 film in a cinema. No one younger than 15 may rent or buy a 15 rated video work.

The film must not condone discriminatory language or behaviour, although there may be racist, homophobic or other discriminatory themes and language. Drug taking may be shown but the work must not promote or encourage drug use. Dangerous behaviour (for example, hanging, suicide and self-harming) should not go into detail as it could be copied. Very strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any special contextual justification. There are no constraints on nudity in a non-sexual or educational context. Sexual activity may be portrayed, but usually without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. A sustained focus on sadistic or sexual threat is unlikely to be acceptable. Violence may be strong but should not dwell on the infliction of pain or injury. There may be detailed verbal references to sexual violence but the depiction of sexual violence must be discreet and justified by context.

18 – Suitable only for adults

No one younger than 18 may see an 18 film in a cinema. No one younger than 18 may rent or buy an 18 rated video work.

It is believed that adults should be free to choose their own entertainment. Exceptions are; where it is in breach of the criminal law, or has been created through the commission of a criminal offence, where material or treatment appears to risk harm to individuals or, through their behaviour, to society (this may include portrayals of sadistic or sexual violence which make this violence look appealing) or where there are more explicit images of sexual activity in the context of a sex work.

Monday, 7 November 2016

Own Video Evaluation: Preliminary Task

STRENGTHS

There are many strengths to our video. One is the fact that we managed to include the relevant shot sequences needed to complete the task. These were shot reverse shot, match action and rule of thirds. We managed to shoot the clips, upload and edit our film within one lesson, showing how well we worked together and how well we can work to a deadline. The cuts run smoothly throughout the video and we managed to match cut the scenes quite consistently. The way it is edited together looks professional and tidy. 

WEAKNESSES

We had problems with continuity. This was because I kept changing an action or changing where my hands were when we re-filmed the particular clip. Next time, we will make sure to take notice of these things and check we don't do it again, as it could distract the audience and make more of an impact in our final film. Another weakness would possibly be things like the sound and lighting quality as we didn't have much equipment to work with when it came to these things. 

HOW WE FILMED AND HOW WE USED THE SOFTWARE

We used Adobe Premiere Elements to edit our video. This software is useful when editing our videos as it gives us the tools we need to make it look professional and more impressive. We used fade in and fade out at the beginning and end to pull it all together. We then had to match cut all of the scenes and angles together. This was tricky as we had to make sure it was perfectly matched so that the video made sense all together and looked as if it were filmed with more than one camera. We then had to make sure we weren't crossing the 180-degree line when filming. This was easier as we maintained the angle of each action from one side when re-filming the close ups of, for example, opening the door. We only had one camera and so re-filming meant we had to get each action the same, multiple times. We had to make sure to also not break any continuity rules, which was difficult as we weren't used to "acting" in a scene before. We were also not used to being filmed and so knowing to watch out for these things was very new to us, and we soon found out that editing a clip with a continuity error is far more difficult than without.

Overall I am happy with how our video turned out. The video had a lot of strengths, which was because we managed to apply our knowledge of different shot types and editing to the filming. We had some issues but I feel we overcame these well and that our final video will look professional and neat when it comes to completing it.